Lizzie Nunnery’s earnest but inert play lacks a sense of forward momentum.
A chat with the cast and crew of 1812’s Buyer & Cellar.
This production is small-scale, but often imaginative and satisfying.
The emphasis on louche sexual openness, meant to shock the audience, instead makes this production feel less dangerous.
David Hertzberg’s opera is dramatically pretentious, musically gorgeous, and very much An Event.
A sometimes-awkward evening that delivers in Lembit Beecher’s one-act premiere opera.
One of today’s top divas provided glamour and high-wattage vocalism.
In Red Orchid’s dazzlingly odd production, the great Sam Shepard lives on.
This multimedia work will stay with you long after the final image fades.
This imaginative, animated staging dazzles in some ways and comes up short in others.