This limp, by-the-numbers musical at the Arden lacks not only an erotic charge, but even general interest
The ideas fly fast, furious, and ominous in Aaron Loeb’s entertaining satire.
Lizzie Nunnery’s earnest but inert play lacks a sense of forward momentum.
This production is small-scale, but often imaginative and satisfying.
One of today’s top divas provided glamour and high-wattage vocalism.
In Red Orchid’s dazzlingly odd production, the great Sam Shepard lives on.
This imaginative, animated staging dazzles in some ways and comes up short in others.
Lolita Chakrabarti’s mixed bag of a play finds greatness when Forrest McClendon takes the stage.
On Broadway and in the larger sphere of American popular song, Cook is the gold standard.
Despite some impressive elements, Marianne Elliott’s production is mired in stygian gloom.