Ensemble coordination is this production’s greatest achievement, along with some fine individual contributions.
REVIEW: Tales of the Unexpected: Suor Angelica and Le Villi at Academy of Vocal Arts (for Parterre Box)
A mixed bag of a production, but some singing of significant promise.
Trafalgar’s enjoyable filmed stage production preserves a star turn that should be seen.
Chas Rader-Shieber’s conflation was simultaneously over-conceptualized and insufficiently thought through.
Two final events at O18 sum up the wonders of this extraordinary festival.
Blythe’s virtuosity actually anchors the show to opera; Martha not so much.
Imagine you are at Disneyland, and there’s an Anthony Roth Costanzo ride.
If only Donizetti’s Lucia di Lammermoor, a setting of Walter Scott’s gloomy novel in which the heroine is traded like a piece […]
The two-part evening starts arch, but ends in triumph.
In a delightful song program, Ashley Robillard and Siena Licht Miller show exceptional promise.