But whether this earnest, winning piece is a successful play is an open question.
The “semi-staging” seen here delivers less theater than no staging at all.
This brilliantly acerbic, absurdist comedy gleefully thumbs its nose at trigger warnings.
Is this once-iconic satire still viable, or a historical curiosity? That is the question.
The provocative show that director Emma Griffin offers here goes beyond a reimagined staging.
What’s most unsettling here happens quietly in the shadows.
Michael Hollinger’s funny and clever play could use more gravity.
How do you like your Carmen? The role – and Bizet’s opera – contain multitudes.
In Michael Hollinger’s perplexing but enchanting play, getting there is the best part.
The vocal standards are high, and the pleasure of discovering new talent always exhilarating.