MJ Kaufman’s play is big on dogma and short on insight.
This chamber-sized production offers some large-scale musical pleasures.
Walnut Street’s handsome production doesn’t quite cut to the core of Stephen Karam’s fine play.
McCarter’s enjoyable production doesn’t fully realize the shows virtuosity or pathos.
139 years after its premiere, Ibsen’s masterpiece still feels razor-sharp.
Walnut Street Theatre’s talented ensemble is its own reward, but they can’t disguise the thinness of Ken Ludwig’s script.
Some darkly provocative ideas here keep bumping heads with the upbeat tone at the center.
Conductor Cristian Macelaru’s middle-of-the-road approach has glorious moments, but doesn’t quite cohere dramatically.
“Make a joyful noise A joyful noise! Unto the Lord!” So begins The Color Purple, with a clarion call from this exceptionally […]
Picks for things to see and hear from now through February, including EgoPo’s Lydie Breeze.