Even the hit songs in this early Jule Styne musical would recede in a better show.
An admirable new cast doesn’t own this play as the first one did.
To resurrect this astonishing show at all in a brief time frame is almost miraculous.
Critics David Fox and Cameron Kelsall discuss Arthur Miller, and this idea-free, crash-and-burn production.
The sexiest moment on Broadway this season features a 73-year-old man and a single button.
What once seemed a poignant meditation on AIDS now plays as a study in white privilege.
The audience at this vulgar show doesn’t care about Russian History. What they want is AnastasiaTM.
A beloved and very human story here has the glossy sheen of a theme park ride.
REVIEW: Everybody Loves to Break a Bough: The Cradle Will Rock at Classic Stage Company (for Parterre Box)
At Classic Stage, this pallid imitation of Brecht & Weill meets a director with the same aesthetic.
Rodgers and Hart’s 1938 dance musical proves impossible to resuscitate.