Rodgers and Hart’s 1938 dance musical proves impossible to resuscitate.
Scott Ellis’s busy production puts Porter’s sublime musical between a rock and a hard place.
For sheer charm, I doubt this production will be equaled this year, or for many to come.
Perhaps unintentionally, Rick Foster’s hagiographic one-hander captures just what’s wrong with America’s most beloved actress.
Peter Sinn Nachtrieb’s play, meant to be funny, shocking and poignant, seems instead to be trying too hard.
An unspeakably vulgar adaptation of Shaw’s magnum opus is an alarm bell we shouldn’t ignore.
Lerner and Loewe’s “lost” musical is a wonderful oddity that should be better known.
Elevator Repair Service provides plenty of ironic spin but misses its own sense of privilege.
Jason Robert Brown’s musical adaptation of the cheesy novel stuffs all the bunk back in.
Few variants on this iconic play are as audacious as this one, smashingly delivered here.