Despite some impressive elements, Marianne Elliott’s production is mired in stygian gloom.
A very enjoyable take on an American masterpiece that only improves with time.
Abe Koogler’s play moves almost imperceptibly between realism and a poetic alternate reality.
G. S. Warren’s entertaining futurist play is made extraordinary through its technology and production.
This extraordinary musical has virtuosity to spare—but what really shines is its humanity.
If this is the future of American theater, count me in!
Ironically, Quintessence’s updated production works best when it’s most traditional.
J. T. Rogers’ complex play demands to be seen—but who can afford to produce it?
This rolling premiere production shows InterAct at the top of their game.
The talent of Philadelphia’s Irish Heritage Theatre continues to impress.