J. T. Rogers’ complex play demands to be seen—but who can afford to produce it?
This rolling premiere production shows InterAct at the top of their game.
The talent of Philadelphia’s Irish Heritage Theatre continues to impress.
At the Met, Carsen and company reduce metaphor to melodrama.
Terrence Nolen’s production packs some surprises, and has a treasurable Rose in Mary Martello.
Hamish Linklater’s bumpy, overwritten play never finds an anchor.
James Lecesne’s virtuosic, moving one-man show ends PTC’s season on a high note.
Tracey Scott Wilson’s powerful, edgy play shows Theatre Exile at its considerable best.
Revisiting Annie Baker’s new play confirmed some of my impressions and changed others.
Martin Sherman’s play is both a sweet romance—and a platform for Harvey Fierstein to shine.