A terrific cast scores in Nicky Silver’s coruscating, hilarious comedy.
I disagree with many of Sam Gold’s directorial ideas—yet I’ve never seen a production that feels so devastatingly right.
Arin Arbus’s gripping, entertaining production misses some of Thornton Wilder’s humanity.
An improbably delightful adaptation of the grimmest of all English-language dramas.
In this extraordinary sensory experience, the human dimension sometimes fades into the background.
Douglas Williams’ funny, touching play may be the best 90 minutes you’ll spend in a theater this year.
John Pollono’s potentially interesting play is undermined by sitcom shtick.
Every entertaining minute is awash in excess in a show that practically defines “guilty pleasure.”
A beautiful production and a reminder of what brought many of us to opera in the first place.
Lee Coffey’s virtuoso play is a sobering glimpse of a world we don’t often see on stage.