THEATER REVIEW: In Fun Home, The Days and Days that Make Up Our Lives
This extraordinary musical has virtuosity to spare—but what really shines is its humanity.
This extraordinary musical has virtuosity to spare—but what really shines is its humanity.
If this is the future of American theater, count me in!
Ironically, Quintessence’s updated production works best when it’s most traditional.
J. T. Rogers’ complex play demands to be seen—but who can afford to produce it?
This rolling premiere production shows InterAct at the top of their game.
The talent of Philadelphia’s Irish Heritage Theatre continues to impress.
At the Met, Carsen and company reduce metaphor to melodrama.
Terrence Nolen’s production packs some surprises, and has a treasurable Rose in Mary Martello.
Hamish Linklater’s bumpy, overwritten play never finds an anchor.
James Lecesne’s virtuosic, moving one-man show ends PTC’s season on a high note.