REVIEW: In Arden Theatre’s A Doll’s House, the Original Fjord Maverick
139 years after its premiere, Ibsen’s masterpiece still feels razor-sharp.
REVIEW: Around the World with Stew in Passing Strange
Wilma’s snazzy revival makes a good case for this charming but quirky show.
REVIEW: Baskerville Serves Up a Chamber-Sized, Jokey Sherlock Holmes
Walnut Street Theatre’s talented ensemble is its own reward, but they can’t disguise the thinness of Ken Ludwig’s script.
REVIEW: Arden’s Peter Pan, Reinvented in an American Campground
Some darkly provocative ideas here keep bumping heads with the upbeat tone at the center.
REVIEW: Philadelphia Orchestra’s Messiah Rings Out the Year
Conductor Cristian Macelaru’s middle-of-the-road approach has glorious moments, but doesn’t quite cohere dramatically.
THEATER: The Color Purple Makes a Joyful Noise at the Forrest Theatre
“Make a joyful noise A joyful noise! Unto the Lord!” So begins The Color Purple, with a clarion call from this exceptionally […]
TIME OUT: Winter Theater & Classical Music Listings
Picks for things to see and hear from now through February, including EgoPo’s Lydie Breeze.
REVIEW: In The Brownings, A Pair of Great Romantic Poets Work Blue
A terrific production and some caustic wit don’t quite add up to a play.
Q&A with 11th Hour Theatre’s Michael O’Brien
The actor and artistic director talks about the Barrymore Awards, and upcoming performances of Sondheim’s Company.
REVIEW: Eugene Onegin, Seen Through a Snowglobe
Despite exquisite moments, the Curtis production feels drained of emotional energy.
