This limp, by-the-numbers musical at the Arden lacks not only an erotic charge, but even general interest
The ideas fly fast, furious, and ominous in Aaron Loeb’s entertaining satire.
The actor and playwright, a mainstay of the Philly theater scene, is now making waves nationally.
Lizzie Nunnery’s earnest but inert play lacks a sense of forward momentum.
A chat with the cast and crew of 1812’s Buyer & Cellar.
This production is small-scale, but often imaginative and satisfying.
The emphasis on louche sexual openness, meant to shock the audience, instead makes this production feel less dangerous.
David Hertzberg’s opera is dramatically pretentious, musically gorgeous, and very much An Event.
A sometimes-awkward evening that delivers in Lembit Beecher’s one-act premiere opera.
One of today’s top divas provided glamour and high-wattage vocalism.