As a cohesive evening of music drama, this ambitious double bill doesn’t quite add up.
A wonderful musical performance, hampered by a misguided production.
What R. B. Schlather’s visually arresting production has to do with the opera remains a mystery.
Robert Carsen’s 28-year-old production comes to America. It was worth the wait.
Two final events at O18 sum up the wonders of this extraordinary festival.
Blythe’s virtuosity actually anchors the show to opera; Martha not so much.
Imagine you are at Disneyland, and there’s an Anthony Roth Costanzo ride.
If only Donizetti’s Lucia di Lammermoor, a setting of Walter Scott’s gloomy novel in which the heroine is traded like a piece […]
The two-part evening starts arch, but ends in triumph.
In a delightful song program, Ashley Robillard and Siena Licht Miller show exceptional promise.