Seen here, one is aware of Clifford Odets’ flaws as a writer—but even more, we see his grandeur.
Director Alexander Burns’ sometimes imaginative rethinking cannot redeem Lionel Bart’s awful musical.
Quintessence Theatre’s production is problematic, but even the problems are interesting.
In director Ken Marini’s revelatory production, Beckett’s modern classic feels freshly-minted.
Ironically, Quintessence’s updated production works best when it’s most traditional.
Rebecca Wright’s beautiful production finds the essence of Shaw’s gorgeous, unwieldy play.
Somewhere on the list of plays I always wanted to see – but never thought I would have the chance – is […]