Scott Ellis’s busy production puts Porter’s sublime musical between a rock and a hard place.
If you were hoping for some new insight into this fascinating chapter of theater history, ‘tis not to be.
Bock, Harnick and Masteroff’s superb show is not a “musical comedy” — so why is it performed like one?
A few curious choices mark Jonathan Kent’s production, but they don’t diminish the play or Jessica Lange’s riveting performance.
Was it prescience or good luck that led me to book a ticket to The Humans only minutes before the New York […]
Thérèse Raquin is a woman of few words, but definitely A Presence. At least, she is in Helen Edmundson’s adaptation of Émile […]